Everyone
seems to love jazz music but often times the styles of jazz are confused and
blurred. To further complicate matters, listeners (and dancers) often ask
"What is great jazz?" or "How do I know if what I'm listening to
is 'great jazz'"?
It's
difficult to put in words, but let's give it a try. Remember jazz legend Louis
Armstrong says: "If you have to ask what jazz is, you'll never know."
While jazz can be broken into elements and much has been written on jazz
theory, the most important thing to keep in mind is that the spirit that
characterizes truly great music can't be dissected. The first rule of thumb of
identifying great jazz music is that if you like it, if it touches your soul,
then it's great.
Think
of it this way, it's like walking into a museum or art gallery and asking to
see great paintings or sculptures. Or worse, ask an artist to explain his or
her painting to you. If the artist despises you, he/she may offer you some
words by way of explanation, but great art is not meant to be explained. It
either hits you, or it doesn't. It bypasses the part of the brain that analyzes
and seeks to categorize or logically explain things and goes straight from the
eyes to the "Ah Ha!" of your heart and soul. Music speaks to you in
the same way.
Let's
talk about what you're hearing. That's different. Here are 6 elements of
"great" jazz music. Jazz can be divided into many different styles:
traditional jazz, contemporary jazz, dixieland jazz, progressive jazz, modern
jazz. Nevertheless, there are generally 6 elements that are key to all good
jazz music: Improvisation, Syncopation, Blue Notes, Freedom, Interaction, and
Feeling.
IMPROVISATION
is truly the heart of all jazz music. When a performer forgets what is written
on the page by the composer and begins to speak with his instrument from his
head and heart, you know that you are now seeing a real conversation on stage.
The musicians are conversing within a set structure, the language of music. And
when you see musicians who play together regularly or are good enough to find that
connection instantaneously, you can see that they are truly speaking to each
other, listening and receiving, through a musical dialogue.
SYNCOPATION:
deals with the idea of rhythm. In our universe of space and time, everything
vibrates. Vibration consist of two things: on and off. It is the constant
interaction of the on and off (crests and troughs) that cause us to experience
the universe. Those on and offs are expressed over time. So here's the jazz
music. When you fool around with those vibrations from a very rigid form
(strict rhythm) to either slower or faster but with variety you'll get
"Syncopation". It's fun. It's what you like in music. It's what
you're relating to when you dance. It's what MOVES you in jazz music.
BLUE
NOTES are an important part of a jazz musician's vocabulary in the musical
conversation. Within scales and keys can be certain altered notes, some of
which are called "Blue Notes." Blue notes are key to creating
dissonance and harmony, tension and resolution.
The
next three elements are less of a function of music but more of a function of
the musicians spirit. It is how the following three functions affect the first
three that should interest you.
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